How to Avoid 7 Deadly Sins of Short #Story #Writing

This post is a reblog from a Bridget Whelan Post. Click here for the original post

This post grew out of an article I originally wrote for the Hysterectomy Association when I was writer in residence of their annual writing comeptition earlier this year.

seven deadly sins of writing a short story

I recently came across the WikiHow entry on how to write a short story. The actual article contains good advice, but I arched an eyebrow (see above) when I read the introduction.

While writing a novel can be a Herculean task, just about anybody can craft and, most importantly, finish, a short story.”  wiki

No, they can’t – unless the writer means that almost anybody can produce 1000+ words of grammatically correct sentences that somehow link up together, but that’s no more a short story than a roll of material pinned into a tube is a dress.

I resent the idea that short stories are an easy option. The very size means there’s nowhere to hide flabby ideas and weak sentences. A clunky phrase stands out as brashly as if it had been highlighted in neon yellow. Usually a short story has a very restricted range of characters and the action takes place over a relatively short period of time – days rather than years – and there’s no room for time slips or flash backs. Usually. As soon as you try to formulate any rule of writing you can think of brilliant exceptions, but I read a lot of short stories by emerging writers and here are some of the most common problems I come across.

1) Too much information

I don’t need to know that the head gardener is called Barry and is a veteran of the Falklands War if all he does is knock on a door. It may sound like being a member of a spy ring, but everything’s on a need to know basis. If Barry only has a walk on part readers don’t need to be introduced.

2) Too many names

Not every character has to be named. They can be refered to as their occupation: the vicar, the postman. Or by their relationship to others: grandad, his wife, her teacher….

3) Too much back story

Sir Angus Wilson who helped set up the first UK Masters in creative writing at the University of East Anglia in the early 1970s thought that short stories and plays were similar.

“You take a point in time and develop it from there; there is no room for development backwards.”  ~ Sir Angus Wilson

I think Alice Munro, the Canadian short story writer who won the Nobel Prize for Literature in 2013, was saying much the same thing when she described short stories as ‘a world seen in a quick glancing light. ’

4) Too much description

If you think of a story as a journey, description forces the reader to stop. It’s as if the author is saying hold on a moment, I know you want to find out what happens next, but I’ve created a whole new world for your enjoyment: stop and look at the sun reflecting on the water, the child’s soft curls and the cold blue of the spring sky… Too much description and the reader might not bother to wait for the journey to start again. Too little and the reader might not care where the journey is heading.

5) Too timid

Safe stories about safe subjects don’t linger long in the memory. Once you’ve got an idea ask what if? and keep on pushing the boundaries…Avoid timid titles too. Think of it as the first line of the story – which is most likley to make you want to find out more: The Party or Jiving with St Joseph?

6) Too Over the Top

too over the top,A.K.Andrew,

You can’t encapsulate the complexity of a novel-length idea in a few thousand words without losing something vital. Accept that you have a small canvas.

And finally…

7) Starting in the wrong place
Do you really need to set the scene? And do you need to do it in the opening paragraphs? Introductions are needed in academic essays – not short stories. The great American writer Kurt Vonnegut said start as near to the end as possible. Experiment – see how far you can push that idea.

And here’s the rest of Kurt’s rules for what you should put into a short story.

photo credit: FLASHFLOOD® via photopin cc

photo credit: Urban Woodswalker via photopin cc

A.k. Andrew,,A Writer's Notebook,Bridget Whelan

Bridget Whelan is a London Irish novelist and Creative Writing teacher. She has taught at the prestigious Goldsmiths Collegein London, UK as well as other locations in both London and Brighton. Her first novel is A Good Confession, and this year she released a fantastic book called Back to Creative Writing School which is now OUT IN PAPERBACK! as well as an ebook. Click the link below.You can reach Bridget at  and on twitter @agoodconfession

Can you think of any more sins?  What other problems do you have writing short work?

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Many Thanks!

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