Authors

5 Books made into Films - Which Version is a Modern Classic?

A book or film created in the 20th or 21st Century is considered a Modern Classic if it has a quality likely to have enduring significance or popularity. When a book is made into a film, which version is the modern classic or can it be both?The novel I'm currently working on, Under The Bed, is set in New York City in the late 60's. I'm very interested in how location effects the narrative, so I've chosen five modern classics where location is key.

Midnight Cowboy

Midnight CowboyMidnight Cowboy by James Leo Herlihy , is a novel set in New York made famous by the cult film of the same name. The novel and film, both set in the 1960's, show the plight of Texas greenhorn Joe Buck (John Voight), who comes to New York to find his fortune as a hustler. he finds that he is the one getting 'hustled', until he meets Ratso Rizzo (Dustin Hoffman), a streetwise polio-crippled third rate con-man who initially cheats him. They team up and the unlikely pair progress from partners in shady business to comrades. Each has found his first real friend.One of the most memorable scenes from the movie is Dustin Hoffman walking across the road slamming his hand on the hood of a yellow New York cab yelling " I'm walking here! I'm walking here!”. The scene of the crowded streets, yellow taxi cabs at 58th and 6th, is quintessential New York City of the era it portrays. The book was a great read, but it's the film that's the modern classic.

The Shining

 Jack Torrance on the cover of The Shining. The Shining is a psychological drama by Stephen King, who apparently became inspired during a stay at the Stanley Hotel in Ested Park Colorado. The story centers around a man and his wife who are left with their son to caretake an large isolated hotel during the winter season. The location is central to the narrative, and indeed the suspense of the novel would not exist without the isolation, which is only increased when the family are completely cut off after the heavy snows come. What follows is a slow downward spiral of suspense, which turns into a roller coaster of terror, interspersed with metaphors, repeated symbols and lots of blood . The hotel is literal awash with blood at certain intervals.Stanley Kubrick's 1980 film of the Shining is a classic in the horror movie genre. Jack Nicholson plays the deranged alcoholic, and Shelley Duvall , his wife. Through Jack Torrance , the failed writer, we see the heady days of the Overlook Hotel's past, and his son too is privy to hallucinations. The film was, in part , filmed near Mt. Hood in Oregon, though other scenes were shot in a purpose built set in Britain which was the largest set to be produced at the time. I first saw the film three years ago, and though I'm not a fan of horror, thought it was great. Then I read the book, which managed to maintain some of the suspense, but it was no match for Kubrick's masterpiece.There are some interesting social interpretations of the movie and it's metaphors on the film's Wikipedia page: https://en.wikipedia.org/wiki/The_Shining_(film)

Vertigo

Vertigo Vertigo is the Alfred Hitchick movie based on the 1954 novel “D'entre les morts” by Boileau-Narcejac. The novel was specifically written for Alfred Hitchcock. For me, the film's location of San Francisco was absolutely key to the film, though the original novel was set in Paris. San Francisco was an excellent choice to place a policeman who suffers from vertigo as the hills are exceptionally steep. I'm not wild about heights myself and the one time I've felt frozen by it, was when I was working as a house painter in San Francisco and I was up a ladder in Twin Peaks, one of the highest neighbourhoods of the city. Although I was only one flight up , when I looked down the hillside, the effect was as if I was hundreds of feet in the air. I was alone, and froze for about 5 minutes,feeling dizzy and sweaty. I finally crawled down the ladder.In the film, Scottie (James Stewart) investigates the strange activities of an old friend's much-younger wife, who he fears is going insane. During his investigation, Scottie becomes dangerously obsessed with his friend's wife.Vertigo is filled with as many plot twists as there are hairpin bends on Lombard street, and Hitchcock never lets up on the suspense right up until the final scene of the film. ( FYI, the book has a completely different ending.) For San Francisco lovers, it's a rare treat to have so much of the film shot on location and there are walking tours to the various spots in the film such as Mission Dolores, Palace of the Legion of Honor, Fort Point etc. In 2009, the hotel that one of the main characters stays in toward the end of the movie, changed it's name to Hotel Vertigo. I've not read the novel, but the movie is so iconic, I cannot imagine it comparing.

Brokeback Mountain

Cover of "Brokeback Mountain  [Blu-ray]"

 Brokeback Mountain is a fantastic film/ fiction combination. Set in Wyoming, the film is based on a short story by Annie Proulx, one of my favorite authors. I'm still blown away that the movie comes from a short story of a scant 27 pages, but her prose is both rich and spare. All of Annie Proulx's works pack a hell of a punch in a short space of time. Brokeback Mountain originally appeared in the New Yorker in 1997, and is included in Annie Proulx's Close Range: Wyoming Stories, published in 1999. The location is made stunning by the cinematography in the film,(actually filmed in Alberta's Rocky mountains), and indeed Brokeback Mountain itself becomes synonymous with the relationship between the two men - literally the heart of the novel.As the subject deals with the experience of modern day gay 'cowboys', (Ennis and Jack were actually herding sheep on Brokeback Mountain), the location could have been a number of states, but set in the early 60's through to the 80's, Wyoming works well. ( The choice of location is poignant after the murder of Matthew Shepard, a gay American student at the University of Wyoming who was tortured and murdered near Laramie, Wyoming in October 1998. In October 2009, the United States Congress passed the Matthew Shepard and James Byrd, Jr. Hate Crimes Prevention Act (Matthew Shepard Act for short), and on October 28, 2009, President Barack Obama signed the legislation into law.)I re-read the story again after watching the film, and still cried when Ennis (Heath ledger) takes out the denim shirt of Jack’s (Jake Gyllenhaal) that had been kept in secret for almost 20yrs. For me, I loved both the book and the film in different ways. I felt the book gave more character insight, particular inner dialogue of Ennis, that I'd missed in the film. I'd have to say they are both Modern Classics.

To Kill A Mockingbird

To Kill a Mockingbird 1To Kill A Mockingbird is such an excellent novel on so many levels. It's one of the best books written in first person I've read, handled so expertly, you don't even notice. Scout is a fantastic character and it's amazing Harper Lee could convey such adult themes through the voice of a ten year old girl. But then I could not think about Atticus Finch as anyone but Gregory Peck when I last read the novel.Written in 1960, it's set in depression-era Alabama, and again the location is integral to the work. Atticus Finch is a lawyer in the racially divided small town who agrees to defend a young black man who is accused of raping a white woman. Despite its themes, To Kill a Mockingbird has been subject to campaigns for removal from public classrooms, often challenged for its use of racial epithets. It's excellence as a modern classic in both print and film, is well deserved.So which do you think is the modern classic - the film or the book? Do you prefer to read the book first or vice versa? What are your favorite book/film combinations? Come join the discussion, and please share this post on your favorite social media.

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7 Blogging Essentials for the Beautiful Blog Award

Yeah! I’ve  recently been awarded two blog awards! Today I'm celebrating the Beautiful Blogger Award by talking about Blogging Basics. Thanks SO much to Bridget Whelan  for nominating me. Bridget's creative writing class (my first), was a real catalyst for my writing career. She currently teaches Creative Writing Classes in Brighton and London. A Good Confession, her first novel, is a cracking good read and check out  her website http://bridgetwhelan.com/ Muse, News and Views - it's packed with writing tips exercises, updates on  competitions, all peppered with a good dose of Irish anecdote and humor.Blogging Basics for the Beautiful Blogger Award The Beautiful Blogger Award allows you to write either 7 things about yourself or 7 things you know. Bridget wrote about 7 books that influenced her.  http://bridgetwhelan.com/2012/11/20/beautiful-blogger-thats-me-seven-things-you-didnt-know-you-wanted-to-know/I've decided to write 7 blogging basics I've learned of the past year. A big thanks to everyone from the Bloggers Helping Bloggers Group on LinkedIn who have been so supportive, particularly Sherryl Perry who manages the blog sharing section.

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7 Blogging Basics for the Beautiful Blogger Award

1. Quality Content.  Content is King. Kick-ass content. You’ve heard them both a million times. Whatever your style of writing, you need to grab the readers attention in the first couple of sentences. Once you have it, whatever your style, be creative rather than formulaic. Add some heart, and make it personal. Your readers want to now a little bit about who you are and what makes you tick. Most of all they need a reason to return. Rich content will  bring your readers back to your blog time and again, whatever the subject. Make every word count. Check out Leora Wenger's resource filled post on creativity.2. Relevance. Your blog is a reflection of who you are, your brand, company or platform. Keep your content relevant for your readers.  If someone’s coming to your blog for writing tips, they don’t want to read how to change a spark plug unless it’s part of a yarn. Some bloggers have a variety of blogs under one heading. But they need to be relevant. e.g. Jeri Walker-Bickett has a great blog mix: Indie Interviews, book reviews and writing tips. They're distinctly different posts, but all relevant to her subject matter. Treat your taste buds at Susan Cooper's blog - different subjects with a common thread. If you’re all over the map, people won’t have a clue who you are or what you’re about.3. Reply to Comments. Always reply to comments. If a reader's taken the time to read your blog and make a comment,  reply to that person. Its simply good manners.4. Write, then write again. Do you always feel inspired? No, neither do I.  Freewriting is the best way to limber up your writing muscles, whatever the purpose. Pick up a pencil or a keyboard and write non-stop for 5-10 minutes without thinking. Your subconscious will take over. At the very least you’ll end up knowing what subject you want to write about.Unless you sit down and write, nothing will ever come up on that screen.5. Look Under the Hood.  Learn about SEO, keywords and plug-ins. Unless you have a webmaster, you need at least a basic understanding of tools that help your blog to run smoothly and increase it's ranking. I've learned so much from Leora , Sherryl and Patricia in this area over the past year. There’s lots of resources out there. Learn from the best. A great website design is an important way to catch people's eye, so make sure it's the image you want to project. Will it make up for not having quality content? You know the answer to that one.6. Choose your Social Media. Using social media is essential to get your work out there, but keep it simple. Choose one or two. Unless you do nothing in life but market your blog and sleep a few hours a night,  you’ll be spread yourself too thin, and your efforts will be ineffective.7. Share the Wealth, Share the Love. The internet is all about sharing information right? So think collaboration not competition. Think Guest Posts. Bloggers need support from other bloggers as well as readers. Make connections. Share information and goodwill with your online friends and you’ll find it comes back tenfold. Mention them in your posts (be sure to give back links), reciprocate comments, share their posts on social media sites. Thanks to  Sherryl Perry I use CommentLuv for my comments which gives a link to the commentors last post. That gives them exposure on my site, and I can click on their blog to reciprocate the comment. Win-win.

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Now it's my turn to nominate the next Beautiful Bloggers. Hop on over to check out these great sites and congratulate the new nominees.Jenny Hansen  Writer of memoir and women's fiction and contributor to Writers In The StormDoreen Pendgracs Doreen's two blogs are a delicious blend of chocolate, writing and travel.Rolando Garcia Writer of poetry, fiction, non-fiction, romance and horror.Patricia Weber  A Courage coach for the reluctant marketer. For introverts and extroverts alike.Adrienne Smith  Internet, affiliate and network marketer, and resource for blogging and social media.Tasha Turner Social Media coach and writer of Jewish Vampires!Billy Rat Chitwood Blogger and Novelist.

 What would you add to a list of basics for blogging? Come join the discussion, and please share this post on your favorite social media.

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#Toni Morrison on Hope in #Beloved: #Muse media

This Musemedia post concerns a Toni Morrison quote from Beloved  regarding hope. The video is an interview excerpt of Toni Morrison talking about the process of writing Beloved and the language she used.  Musemedia helps us look for our muse by  mixing media.

httpv://www.youtube.com/watch?v=RP6umkgMRq4

"Making them think the next sunrise would be worth it; that another stroke of time would do it at last." - Toni Morrison, Beloved

Toni Morrison's Beloved is my favorite novel of the 20th Century. It's subject matter  is so powerful and so painful that her prose hardly dares to speak it. She uses her unique poetic style to skirt, to dangle emotions so close we can touch them, and yet she refrains from spelling things out. As she notes in the recording above, a climactic event in the novel is almost buried in the rest of the text. The prose has an unsurpassed richness that cries out  for more than one reading. In this particular quote she references hope, but with a fatalistic edge; a reluctance to believe it will be worth the effort.

Hope is what keeps us going in life. It gets us out of bed in the morning, to see another sunrise. And it's what helps us through times of difficulty.

Where does your hope come from? Is it from wanting to see an aspect of physical beauty in the world, such as an amazing sunrise? Does it center around people? Or does it come from broader issues for us as a society? 

Come join the discussion, and please share this post on your favorite social media.

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#Muse Media: The Future and #Joyce Carol Oates

 #Muse Media

#Muse Media looks for our muse by mixing prose with other media, in this case by looking at the future with Joyce Carol OatesEnglish: past future path 

 “Remembering backward is the easy thing. If you could remember forward, you could save yourself...”

Joyce Carol OatesThe Gravedigger's Daughter

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 Joyce Carol Oates never shys away from difficult issues. But her take on looking to the future in this quote is unique. I love the phrase "remembering forward". It sounds so realistic. So possible. The character speculates her own redemption from an unwanted fate, trying to take control over her future. But as a society our concept of  what the future brings changes continuously, effected by a myriad of influences from technology, world affairs, space travel and the influence of the individual. Writers no longer necessarily write linear novels. Time travel itself has long been speculated as a possibility. How much control do we have over any of this?

 Do we have any control over our future?

Can we at the very least have some influence?

Do  share your comments below and if you've enjoyed this post, please share it on your favorite social media.

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 Joyce Carol Oates (born June 16, 1938) is an American author. Oates published her first book in 1963 and has since published over fifty novels, as well as many volumes of short stories, poetry, and nonfiction. Her novel them (1969) won the National Book Award,[4] and her novels Black Water (1992), What I Lived For (1994), and Blonde (2000) were nominated for the Pulitzer Prize.Connect with me on: -Twitter: @artyyahPinteresthttp://pinterest.com/artyyah/Facebook page : http://facebook.com/akandrewwriterFor regular updates of my blog: Subscribe Here 

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#Muse Media: The Past and #John Steinbeck

 Muse Media

Muse Media looks for our muse by mixing prose with other media, in this case by looking at the past with John Steinbeck.  The Woody Guthrie video 'Talking Dust Bowl Blues' is quintessential Guthrie.

http://www.youtube.com/watch?v=xOpsGkC5-tE&list=AL94UKMTqg-9CJ1YQ5c7kHpvFbX-8QATJw&index=5

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“How can we live without our lives? How will we know it's us without our past?”

 John Steinbeck from "Grapes of Wrath"

                                                                                        

Woody Guthrie's song gives us an idea of one family's hard times during the same era of Grapes of Wrath. I like the line at the end which speaks of how his wife had made some potato stew so thin you could read a magazine through it. "If it a been a little thinner some of those politicians could have seen through it." John Steinbeck's seminal work brings up a number of social issues.  This particular quotes asks the question of us as individuals.

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In what way does the past affect your present life? 

How do you include events from the past in your work, or do you deliberately avoid them?

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John Ernst Steinbeck, Jr. (February 27, 1902 – December 20, 1968) was an American writer. He is widely known for the Pulitzer Prize-winning novel The Grapes of Wrath (1939) and East of Eden (1952) and the novella Of Mice and Men (1937). As the author of twenty-seven books, including sixteen novels, six non-fiction books and five collections of short stories, Steinbeck received the Nobel Prize for Literature in 1962.

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http://akandrew.com/writing-like-steinbeck/ http://jeriwb.com/the-authors-craft-bonding-with-the-joads-literary-criticism-3595/

#Muse Media: Change and #Junot Diaz

 Muse Media

#Muse Media is a series of  simple posts, looking for our muse by mixing prose with other media.  If this was in the form of a Haiku with an image, it might be called a Haiga. For the moment  let's enjoy the prose of some wonderful authors.

Change

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“She would be a new person, she vowed. They said no matter how far a mule travels it can never come back a horse, but she would show them all.” Junot DíazThe Brief Wondrous Life of Oscar Wao

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I love this gutsy quote. The "in your face " style epitomizes Diaz work.

Change is often hard. How is the woman in the quote going to succeed? 

In what ways do you manage change?

 

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Junot Díaz (born December 31, 1968) is a Dominican-American writer, creative writing professor at Massachusetts Institute of Technology (MIT), and fiction editor at Boston Review. Central to Díaz's work is the immigrant experience. He received the Pulitzer Prize for Fiction for his novel The Brief Wondrous Life of Oscar Wao, in 2008. He is a 2012 MacArthur Fellow.

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Muse Media: Books and David Mitchell

 #Muse Media:Books and David Mitchell

#Muse Media is a series of  short posts, looking for our muse by mixing prose with other media.  If this was in the form of a Haiku with an image, it might be called a Haiga. For the moment  let's enjoy the prose of some wonderful authors.

reading on a ledge

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“Books don't offer real escape, but they can stop a mind scratching itself raw.” David MitchellCloud Atlas

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Lots of people read books to escape, and depending on the novel it can be more and less successful. But the authors prose is what will determine how engrossed or not you become.

Why do you read books?

What do you read?

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David Stephen Mitchell (born 12 January 1969) is an English novelist. He has written five novels, two of which, number9dream (2001) and Cloud Atlas (2004), were shortlisted for the Booker Prize. He has lived in Italy, Japan and Ireland. Cloud Atlas has been recently adapted as a film. See the video below.

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Muse Media: Time and Louise Erdrich

 #Muse Media

#Muse Media is a series of short posts, looking for our muse by mixing prose with other media.  If this was in the form of a Haiku with an image, it might be called a Haiga. For the moment  let's enjoy the prose of some wonderful authors.

 The Passage of Time

"Time is the water in which we live, and we breath it like fish"

                                                                   Louise Erdrich  from "Four  Souls"

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Karen Louise Erdrich, known as Louise Erdrich, (Little Falls, Minnesota June 7, 1954) is an American author of novels, poetry, and children's books featuring Native American heritage.Erdrich is widely acclaimed as one of the most significant writers of the second wave of what critic Kenneth Lincoln has called the Native American Renaissance. In April 2009, her novel The Plague of Doves was a finalist for the Pulitzer Prize for Fiction. In November 2012, she received the National Book Award for Fiction for her novel The Round House

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The quote exemplifies the incredibly rich prose of Louise Erdrich. I have to wonder whether she labors for hours to come up with such a phrase, or if her muse guides her into a flow of  beautiful language. This quote is what prompted me to start this series.

Despite it's quantifiable nature, the notion of time often feels very subjective.

In what ways are you effected by time in your life?

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The Next Big Thing week 15: Interview with an Author

The Next Big Thing is an author's Work In Progress project  from SheWrites. When I read Jeri Walker-Bickett’s  blog last week,  I immediately thought what fantastic questions for any author to ask themselves. So I was thrilled that afternoon, when Jeri emailed, and invited me to participate. A Big Thank You to Jeri.What is the working title of your book?Under The Bed’. It comes from the phrase ‘Red’s Under the Bed’, used in 1950’s America.Where did the idea come from for the book?I was set to write the sequel to my first book Radio Echo, catching up with the characters a few years after the end of WWII, but I decided to spread my wings as a writer, switched countries and found a completely different voice. The 50’s anti-Communist era in America struck a chord with me as part of the backdrop. In doing my research and seeing how widespread the effect of McCarthyism was, I didn’t want to focus on the more publicized Hollywood Blacklist, so decided to move cross country and settle my characters in New York. Cover to the propaganda comic book "Is Th... What genre does your book fall under?Literary fiction. Specifically mid-Century historical literary fiction. Set in both the early 50's and late 60's, makes it a tricky time frame, as some camps argue historical fiction has to be 50 years in the past. Other’s say it can be considered historical fiction if the time period - and its depiction - is at the core of the story. I think if the work involves major political or social events of the time and the character’s role in those events are interlinked, it’s historical.Which actors would you choose to play your characters in a movie rendition?I'll let the two main characters in the novel comment on this.Midge: “I know Izzie said I was a pissy mess the other week, but I'm trying darling, I really am. Putting on a few pounds wasn't a crime the last time I looked, but pudgy is such an ugly word. And these Chanel suits don’t buy themselves. I was a very successful business woman before the shit hit the fan. Life Magazine was always doing some article on Boswell Designs. Seems a lifetime ago now... like someone else’s life.... Er,... where was I?  Oh yes... The actress would  have to play a younger me as well wouldn't she?  To do both roles justice,  I think Sharon Stone  would be marvelous. She’s got the same coloring too, don’t you think?”Izzie: “Do you think I give a shit who plays me in the film? How hard can it be to write some crap poetry, and take a few lousy photo’s in the East Village?  [Takes a hit on a joint]. OK, fine. So I do care. I bet that skinny-assed  Girl With a Dragon Tattoo actress would could make a stab at being meYeahRooney Mara. She’d be good.”What is the one-sentence synopsis of your book?Two women, a generation apart, each burdened by guilt regarding the death of a sibling, find their own lives in danger during the Vietnam era, when the older woman’s brush with McCarthyism emerges during their collaboration on her autobiography. "A female demonstrator offers a flower to...  Will your book be self-published or represented by an agency?I will definitely look for an agent to represent me.How long did it take you to write the first draft of your manuscript? 11 months. What other books would you compare this story to within your genre?I obviously wouldn't dream of comparing myself to these authors, but I have certainly been inspired by them. These came to mind, each for different aspects of their content.Blind Assassin by Margaret Atwood. This is one of my favorite novels and spans the narrators lifetime, who is in her 80's as she is writing.The novel pays particular attention to the pre & post WWII years, but goes far beyond that in  encapsulating a number of different story lines as well as time lines.Toby's Room by Pat Barker. Well know for her incredible "Regeneration Trilogy" ,  this is a sequence to Life Class,  though it's also a stand alone novel. Set during WWI, the novel is as much about the interpersonal relationships as it is about the era. However, the two are interchangeable and it is the societal times of the era on the life of the individual that, for me is the real correlation between this and Under the Bed.The Night Watch by Sarah Waters. This is mid 20th century fiction, set during WWII. But Waters deals with the time frame in a very interesting way as she goes from finish to start.  Who or What inspired you to write this book?After a friend told me about growing up with parents who were in the Communist Party in the UK, and what it was like as a teenager in the sixties to have your phone bugged, it made me think about the invasion of people’s privacy and what effect it has on them. Since 9/11 the invasion of privacy has became almost an accepted ‘right’ by Western governments in the quest to protect our freedom. CCTV tracks us constantly and emails are tagged continuously in the fight against terrorism. I questioned the end justifying the means. Eventually I decided to follow how anti-communist fervour has moulded certain key elements of American history, and chose to juxtapose the eras of the Vietnam War and McCarthyism, with 1969 being 'present day'.What else about your book might pique the reader’s interest?The novel blends the struggle of the individual with that of the bigger picture of the political events of the time. Can we as both individuals or as nations, learn from our past? I believe we can, and yet, as we know, history repeats itself. ‘Under the Bed’ explores how an individual’s lack of control over their fate can be in the hands of the government, even a generation apart. But ultimately the fight for survival and coming to terms with past mistakes is up to the individual.Washington Square arch peace sign Here are the authors I’ve tagged for the project. Check out their websites and you'll be able see their interviews posted there next week.Claire CappettaDoreen PendgracsHemmie MartinSusan CooperBridget WhelanSally O’Reilly I’d love  your feedback on the interview, so do leave a comment below. Or post this blog to your favourite social media.Connect with me on: -Pinteresthttp://pinterest.com/artyyah/Twitter: @artyyahLike my Facebook page : http://facebook.com/akandrewwriterFor regular updates of my blog: Subscribe Here

#Dorothy Parker On Fiction

 American writer Dorothy Parker (1893-1967) In researching the 1950’s for my novel ‘Under the Bed’ , Dorothy Parker's name came up as one of the Hollywood writers black-listed. It is also 45 years ago this week since her death.Dorothy Parker was renowned for her wit, being a keen critic, her poetry, short stories, plays and her left wing politics. When she died of a heart attack in 1967, her estate was left to the Dr. Martin Luther King, Jr. foundation. Following King's death, her estate was passed on to the NAACP. In 1988 the NAACP dedicated a memorial garden to her in Baltimore and erected a plaque. She’d suggested her tombstone should read ‘Excuse my dust’. They didn't argue. But first, let’s have some fun and see if you can complete three of Parker’s famous quotes. No.1 is my favorite and was the name of the lunchtime theatre play in London where the wit of Dorothy Parker finally came into my life, a decade after her death. Answers are at the bottom of this post!

  1. Men seldom make passes,

At girls…………………..2.     Guns aren’t lawful;Nooses give;Gas smell awful;You…………………….3.     You can lead a whore to culture,But ……………………… The following is taken from a Paris Review interview she gave in 1956, on the Art of Fiction.* If you're not already familiar with them, the archives of Paris Review have some incredible interviews of literary figures  - thoroughly enjoyable and a fantastic writer's resource.On how she started writing:

“I fell into writing, I suppose, being one of those awful children who wrote verses. I went to a convent in New York—the Blessed Sacrament. Convents do the same things progressive schools do, only they don’t know it. They don’t teach you how to read; you have to find out for yourself. At my convent we did have a textbook, one that devoted a page and a half to Adelaide Ann Proctor; but we couldn’t read Dickens; he was vulgar, you know. … But as for helping me in the outside world, the convent taught me only that if you spit on a pencil eraser it will erase ink. And I remember the smell of oilcloth, the smell of nuns’ garb. I was fired from there, finally, for a lot of things, among them my insistence that the Immaculate Conception was spontaneous combustion.”

On whether her reputation as a wit interfered with her acceptance as a fiction writer:

“I don’t want to be classed as a humorist. It makes me feel guilty. I’ve never read a good tough quotable female humorist, and I never was one myself. I couldn’t do it. A “smartcracker” they called me, and that makes me sick and unhappy. There’s a hell of a distance between wisecracking and wit. Wit has truth in it; wisecracking is simply calisthenics with words. I didn’t mind so much when they were good, but for a long time anything that was called a crack was attributed to me—and then they got the shaggy dogs.

On contemporary writers:

“…as for living novelists, I suppose E. M. Forster is the best, … at least he’s a semifinalist, wouldn’t you think? … He once wrote something I’ve always remembered: “It has never happened to me that I’ve had to choose between betraying a friend and betraying my country, but if it ever does so happen I hope I have the guts to betray my country.” Now doesn’t that make the Fifth Amendment look like a bum?

On her own writing practice:

“It takes me six months to do a story. I think it out and then write it sentence by sentence—no first draft. I can’t write five words but that I change seven.

On whether her political views made any difference to her professionally?

“Oh, certainly. Though I don’t think this “blacklist” business extends to the theater or certain of the magazines, in Hollywood it exists because several gentlemen felt it best to drop names like marbles which bounced back like rubber balls about people they’d seen in the company of what they charmingly called “commies.” You can’t go back thirty years to Sacco and Vanzetti. I won’t do it. Well, well, well, that’s the way it is. If all this means something to the good of the movies, I don’t know what it is. Sam Goldwyn said, “How’m I gonna do decent pictures when all my good writers are in jail?” Then he added, the infallible Goldwyn, “Don’t misunderstand me, they all ought to be hung.” Mr. Goldwyn didn’t know about “hanged.” That’s all there is to say. It’s not the tragedies that kill us, it’s the messes. I can’t stand messes. I’m not being a smartcracker. You know I’m not when you meet me—don’t you, honey?

 If Dorothy Parker was alive today, what issues do you think she'd be writing about?  English: Portrait of Art Samuels, Charlie MacA... *From Dorothy Parker, The Art of fiction No 13,Interviewed by Marion CampionTo read this interview in full, go to:http://www.theparisreview.org/interviews/4933/the-art-of-fiction-no-13-dorothy-parker Endings of Dorothy Parker quotes above:1.At girls who wear glasses. 2. You might as well live. 3. But you can’t make her think.  

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  Related articles Time and Place: 1950?s USA (akandrew.com)http://en.wikipedia.org/wiki/Dorothy_Parkerhttp://onetrackmuse.com/2012/06/11/a-year-in-booksday-154-the-portable-dorothy-parker/#more-3123http://www.npr.org/2012/06/07/154148811/how-dorothy-parker-came-to-rest-in-baltimorehttp://www.dorothyparker.com/wordpress/        

Time and Place: 1950's USA

Screenshot from "Duck and Cover" fil...English:I’ve recently finished the first draft of my second novel, “Under the Bed”. It's set in New York in both 1969 and 1952. Time and place are integral to the story; the commonality between the two eras is anti-communism in the USA. I’ll only deal with the 1950’s in this blog.“McCarthyism”, which was at the heart of the anti-communist movement, started in the late forties. You may be aware of the havoc and horror the Hollywood blacklist had on the lives of actors and screenwriters, many of whom were banned from writing or acting. Their careers, and often their entire lives were left in shambles. A number also went to jail. Dashiell Hammett is one of the more famous names of people who served time. He died a year after his release. Lillian Hellman, was also brought before by the House Un-American Activities Committee  - HUAC. She took a landmark stand, later known as the 'Diminished Fifth', in which she was willing to talk about her own activities but refused to talk of others .Paul Robeson and Charlie Chaplin were also victims of the HUAC. Chaplin, who was born in England, was refused re-entry into the USA in 1952, and ultimately never returned to America. Paul Robeson’s passport was confiscated, leaving him unable to work abroad – he was already blacklisted from working in America. His career as a singer and his International Human Rights advocacy work were severely curtailed. Paul Robeson,American actor, athlete, bass-bar...      Influence of the House Un-American Activities Committee, reached far beyond Hollywood into many professions, including those in public service. University professors and elementary schoolteachers  were asked to sign an oath swearing that they were not, nor ever had been a member of the Communist Party. Those who refused, which many did on principle, lost their jobs.All serious stuff - but in researching the period, I came across some hilarious footage from the public service announcement of the ‘Duck and Cover Campaign’ that told people, and especially schoolchildren, what to do in the case of a nuclear attack – “Why, duck and cover of course!”.httpv://www.youtube.com/watch?v=89od_W8lMtAIts simplicity might seem ludicrous to us now -  perhaps it did to many people at the time  -  but it gives us a certain insight into an era of fear, tinged with naïveté , in the USA of the 1950's.I love the whole idea of exploring different time and place in writing. They're usually the two challenges I first  set myself when I start a new project. It’s so important in a novel in setting the tone.Where do you set your work? Is it is always in the present, or in the town or country where you live? How does time and place affect your choice in the novels you read?Let me know - I’d love to hear from you.English: Portrait of Charlie Chaplin  

#Authors - An Infinite Writer's Resource

Writers are always looking for resources, whether it’s for technique, style, how to get published, or ideas for a story. The single best resource is using other authors as a reference for better ways of working.During my Creative Writing Certificate course at Sussex University, we spent one semester on  ‘Special Author’.  We each chose an author, and a particular novel, whose work we thought would most benefit our own. I chose The Blind Assassin by Margaret Atwood. We looked at all aspects from first encounter, tracing sub-plots and the climax of the story to name a few.At the end of the semester we each gave a verbal presentation to the class, which forced us to study the work, and think about it in a critical way we’d never have done otherwise. We were lucky to have Susannah Waters as our tutor - a stickler for precision in technique and critique skills,  with an incredible passion for the process. (FYI Susannah does independent mentoring and manuscript assessment, as well as  teaching at Arvon. See *below for contact details)The purpose of the course was not to necessarily emulate the author, but to look at how they might deal with different aspects of writing from dialogue to creating suspense, character and setting and thereby learn from them. A simple example is in my novel Radio Echo- the first scene in Bologna is set in a graveyard. I’d had no thought of using that location until our tutor asked us to create a scene in a setting used by our Special Author.As an example of how to learn from another writer’s work, I’ve chosen two pieces of text from The Blind Assassin to look at dialogue and description, and see what Atwood does with them. The sparingly used dialogue in Atwood’s novel, functions as an insight into character relationships, rather than moving the plot forward.  The immediacy is emphasized by the use of present tense. The dialogue is tight, short phrases back and forth, rarely interrupted by gesture. This accentuates the intimacy and envelopes two individuals in their own world during the scene. It’s the lover’s first sexual encounter; this is never stated, but just enough information is given to spark the reader’s own imagination. Don’t worry so much, he says. Lie Down.Don’t you’ll tear it. Wait a minute.She hears her own voice. It isn’t her voice, its too breathless. ....Smoke  taste on his mouth, salt in her own; all around, the smell of crushed weeds and cat, of disregarded corners. Dampness and growth, dirt on the knees, grimy and lush; leggy dandelion stretching towards the light.Below where they’re lying the ripple of a stream. Above, leafy branches ...the blue sky in splinters. Hard dirt under her back.¹ The text shows Atwood’s excellent use of metaphor and simile. Her descriptions are not elaborate: they simply use evocative words to show what’s in the scene. Once that is established, she then places the character, in a physical sense, into the scene, which highlights the physical nature of the encounter, but also grounds the reader.The second text shows description of setting that also conveys the mood of the scene. It’s the last time the lovers meet and the scene depicts resignation, a bleak encounter in a rundown motel.A carpet once dark blue and red. A pathway strewn with flowers, worn down now to the roots.I’m sorry, he says. It could be better. ² Painters are renowned for learning from other painters – “learn from the masters”. So why should it be any different for writers? We’re not talking plagiarism, but simple learning by example.At the end of the course I realized as a writer I'd always have an infinite resource if I was stuck and wanted to know how to deal with a scene. Looking for a spare style?  - go Raymond Carver, or Cormac McCarthy. Want to portray a character who’s fraught to the point of despair? - go to the scene in 'Anna Karenina' leading up to the suicide. Write text that will push emotional buttons? – Jodi Picoult.Etc. ad infinitum.We first learn to love books by reading them. Learn to love writing from the same source.Who or where do you go to when you’re stuck? What authors would you recommend for particular styles?Let me know. For me, learning is an ongoing process.  Excerpts from The Blind Assassin by Margaret AtwoodPaperback 2001 Virago press¹Pg 32 -33 Chapter - The Lipstick Heart²Pg 563 Chapter – The B Rage Room *Susannah Waters:-susannahwaters@yahoo.co.ukLiterary Mentoring and Manuscript Assessment. To follow this blog click on “FOLLOW” in the bottom right hand side of the page. 

 

Italian Jews in the Holocaust (orig.posted Jan 27th)

 You who live safeIn your warm houses…   Consider if this is a man    Who works in the mud    Who does not know peace    Who fights for a scrap of bread  Who dies because of a yes or no. From ‘If this is a Man’ by Primo Levi Today, January 27 is International Holocaust Remembrance day. The date was chosen as it’s the anniversary of the liberation of Auschwitz by Soviet troops in 1945. In Italy it's called ‘Giorna della Memoria’In remembering the Holocaust, it’s rare that Italian Jews are mentioned. Perhaps because it’s a Catholic country, there might be an incorrect assumption that there wasn’t a Jewish community in Italy. More than 8,000 Jews were deported and killed in the death camps. When WWII broke out there were over 42,000 Jews living in Italy. Put simply, 20% of the Italian Jewish community was lost in a little over a year.An Italian Jewish community still thrives in Italy today, mainly living in Northern Italy in the cities. Like many other countries, Italy has a long history of anti-Semitism. The word ghetto is an Italian term first used in Venice, the site of the first Jewish Ghetto in the 16th century. It’s a term combining ‘gheto’ or ‘ghet’, which means slag or waste from a foundry (which was located near the area of Jewish confinement) and borghetto the diminutive of ‘borgo’ or borough.Jews were compelled to live in city ghettos which following the Venetian example. Gates at the exits were locked an hour after sunset until dawn. This went on for literally hundreds of years. Only after the unification of Italy in 1861 were Italian Jews gradually allowed to live in other areas.The ghettos themselves, usually in undesirable locations of the city, were places of overcrowding and poor housing, and owned by Christians; Jews themselves were prohibited from owning property. Poverty was rampant as the types of trades Jews were able to pursue was restricted e.g. ragmen, second hand dealers, or fishmongers. Jews could also be pawnbrokers, the latter profession stirring considerable hatred towards them. Most Jewish women, because they didn’t work outside of the home were not allowed to leave the ghetto. On occasions they did, they had to wear a yellow veil, the same color as prostitutes.In the decades prior to WWII Italians were generally more tolerant towards Jews than other European countries. This is perhaps rooted in the fact that as a community, Italian Jews more assimilated into Italian society. It was not unusual, Jews to marry Italian Catholics, and there were high ranking Jews in the Fascist Party.Mussolini and Fascism in Italy was a way of life that initially did not initially discriminate against Jews. In fact there were the same percentage of Jews in the fascist party as there were Jews in Italian society. However once Mussolini allied himself to Hitler things changed. In 1938 the Racial Laws were passed.  In effect, the laws barred Jews from participating in society - they were banned from any form of state education teachers, professors and students alike. They were banned from libraries, from seaside resorts, from employing, or marrying non-Jews, owning a sizeable business or property, or a radio. Once Italy came into the war in 1940, Jewish refugees were interned in concentration camps in Italy. The most famous of these was Fossoli near Modena. This aspect of Jewish life changing is touched on in the early parts of Radio Echo.Then in 1943 the Allies landed in southern Italy, and Northern Italy became occupied by the Nazis. A campaign was then launched to deport all Italian Jews out of Italy. On October 18th 1943 the Rome ghetto was raided, and in one day, 1,200 Jews were rounded up and deported to Auschwitz.Another issue that is individual to Italy is the position of the Catholic Church with regard to the deportations, as well as saving many Italian Jews. Again this issue is touched on in Tracing Paper. Many people criticized Pope Pius XII for doing little to intervene. That said, one cannot speak highly enough of the many individual priests and nuns who chose to risk their own lives without a papal decree to shelter Jews.Probably the most famous Italian Jew in literature is Primo Levi. In “If This Is a Man?” Levi writes about his life and survival in Auschwitz, as well as the many Jews who fought in the Italian resistance. The irony of the opening line of his preface “It was my good fortune to be deported to Auschwitz only in 1944…” shows the spirit of survival that was uppermost in his thoughts. Every crumb of thought, or bread he had, or movement he made, led to his survival. His very being was on a singular path. And luck was on his side.Those targeted by the Nazi’s pursuit of a ‘master race’ were not only Jews. Other groups include Gypsies, Lesbians, Gays and the physically and mentally disabled – anyone considered sub-human or imperfect.To those who were less fortunate than Primo Levi, we remember you.We remember you and we will never forget.CommentsDavid

Fri, 27 Jan 2012 14:12:26

Thank you for this sensitive account, Kathy. It is unfortunate that collective memory seems in such short supply these days, and so many of the same prejudices are even now reasserting themselves in Europe and the UK.A.K.Andrew

Fri, 27 Jan 2012 23:15:16

Thanks David. I completely agree. Unbelievable, but unfortunately true. That in itself is very scary.